Josh Spector

What Does It Really Mean To Be In The Comedy Business?

I know most comedians cringe at the mere suggestion that they are business people, but the reality is that in order to have a successful comedy career these days you have to recognize that you are a business person – whether you choose to think of yourself as one or not.

And once you come to grips with that fact, it’s worth taking a moment to consider exactly what kind of business you are running.

Are you in the service business? Will you make (or fail to make) your fortune based on your ability to service your clients?

And if you are, then who are your clients? Your fans? Strangers? Bookers? Venues? Podcast listeners? Do you even know who you are trying to service and how? Do you know what they want from you?

Are you in the manufacturing business? Does the ultimate success of your business lie in the products you create? Is it about your albums, your live show, your video series, your merchandise?

If you’re in the manufacturing business, do the economics of production work for you? How will you sell what you manufacture? Are your products sustainable? Is there a customer base for what you’re manufacturing? Are you making the right products?

Are you just an employee? Maybe you’re not a business owner, maybe you’re just somebody that’s going to work for somebody else. There’s no shame in that, and it can certainly be very lucrative.

Is your path to success dependent on others hiring you to act in their projects, write for their creations, or help them reap bigger rewards? And if so, how does that impact every other decision you make as relates to your career?

There’s no right or wrong answers to any of these questions, but I do think you’d be foolish not to at least consider them as you plot your roadmap to a successful career.

You can be in one of these businesses or all three. But if you’re not in any of them? Then you’re probably headed nowhere fast.

What You Can Learn From The Single Biggest Change In Book Publishing

I’ve mentioned on more than one occasion that I think Seth Godin is a genius and that I think his book Tribes should be required reading for anybody trying to build a comedy career, so it shouldn’t come as a surprise that I think something else he recently wrote is worth sharing with you here.

Seth is currently running The Domino Project, which is basically an attempt to re-think the way the publishing business works. As part of that, he sends out an occasional email newsletter that always has interesting insights – many of which are relevant to things well beyond the publishing industry.

His latest newsletter includes the following observations, which I think are particularly applicable to the comedy business:

The single biggest change in book publishing is this:

The industry was built around finding readers for its writers.

And new technologies and business models now mean that the most successful publishers and authors find writers for their readers instead.

Traditionally, a book is signed, written, edited, designed, printed and distributed and THEN the publisher runs around like crazy trying to alert people about the book, get shelf space and media attention and reviews… all a way of finding readers for the writing that was published.

In the era of permission marketing, the writer already knows her readers, the writer already has the ability to contact those readers. If not the writer, than the publisher or the bookstore.

I believe this is also true of where the comedy business is headed. It’s a business that was built around other people finding audiences for comedians, but now it’s transforming into a world where successful comedians need to find and control their own audience.

You can (and should) read the rest of Godin’s thoughts here, but I’ll also leave you with his closing statement – another one that rings true to comedians as much as it does writers and publishers.

The losers at the end of this round are obvious: entities that haven’t bothered to build a direct connection with readers. Everything else is commentary.

Sound familiar?

Patton Oswalt, Barbara Gray, and What You Can Learn From Their Internet Rumble

As many of you likely have already heard, last week a Los Angeles comedian named Barbara Gray stirred up a whole bunch of Internet drama after she posted a rant on her blog about an incident she witnessed at a small show where she performed.

You can (and should) read her full post about it here, but to make a long story short she witnessed Patton Oswalt go off on a crowd member who was filming his act as he was working out new material and she thought he handled the situation very poorly. Or, as she puts it in the title of her blog post, “That One Time When Patton Oswalt Was An Asshole.”

Patton promptly responded to Barbara’s post with a post on his own website, where he explained his side of the story and what transpired. You can (and should) read that here.

I’m not going to weigh in on who’s right or wrong in this dustup, but rather I want to share three quick observations about it that I think are more relevant to you as a comedian trying to navigate the constantly changing landscape of the comedy business.

Here’s three things I think you should take away from the great Oswalt-Gray pissing match of 2012…

1. The world is watching everything you do, whether that’s fair or not.

Was it out-of-bounds for that audience member to film Patton’s set? Was Patton’s reaction to it over the top? Did Barbara Gray have any right to draw attention to the incident by writing about it online? Should anybody care what Barbara thinks about it? Should Patton care what other people who weren’t even there think about it?

I don’t know the answer to any of these questions. But here’s what I do know…

We live in a world where everything you do on stage (and off) is fodder for the court of public opinion. Whether it’s right or wrong, fair or not, the reality is your actions are under the microscope of the world at all times and you need to be aware of that.

I know the process of developing material is a delicate one, and I know that comics like the idea of having a secure environment in which to do that, but unfortunately that environment no longer exists.

The story of everything you do will be told, and you won’t always be the one that gets to tell it – or control who it gets told to.

2. You have a bigger platform than you have a fanbase.

I don’t know Barbara Gray personally and I’ve never seen her act. I have heard her name in Los Angeles comedy circles, but I can’t pretend to have any idea what her act is like or how big of a fanbase she does (or doesn’t have).

But I’m pretty sure that the number of people that her missive about Patton’s actions reached is likely more than 10 times the number of actual fans she has. It’s an example of how the platform of people you can reach with compelling content extends way beyond the number of people that happen to be in your fanbase because interesting, controversial, and/or compelling content can spread thanks to the Internet.

Years ago, Barbara’s rant would have only been told to her handful of friends who would have no real way to pass it on. In this case, her blog post was linked to by other bigger blogs, shared by people on Twitter and Facebook, and I’m guessing sent more traffic to her blog than she’d ever had before.

Now I’m not suggesting that you need to rant about other comedians in order to grow your fanbase, but rather just pointing out how the number of people you can actually reach by creating interesting content far outnumbers the number of people you happen to have following you already.

3. Your words can have consequences you don’t intend.

Did Barbara Gray think that Patton would actually see what she wrote about him when she posted it, let alone that he would respond to it? Probably not. Did she realize when she was posting it that it could likely become the thing she is most known for in comedy circles? That it could become a part of her personal brand? Probably not.

When you post something on the Internet, you need to understand that there’s always the chance it becomes bigger than you intend – for better or worse. Each update, blog post, video, or picture you put out there for the public has the potential to impact your career.

I’m not saying this to discourage you from posting things online – as you know I’m a big believer in posting as much content as you can possibly create. But when you do, you want to be mindful of the ways in which that content may be received and the consequences (intended or unintended) that may come with it.

Inside Joke: A Day In The Life Of A Female Comedian

Most of the stuff I post on Connected Comedy is strictly business, but I thought I’d start occasionally sharing funny videos I find that riff on the comedy business and life as a comedian as part of a new recurring feature I’m calling Inside Joke.

To kick things off, here’s a recent Amy Schumer video that breaks down what goes into a typical day in the life of a female comedian.