Josh Spector

Connected Comedy Podcast Episode 41: The Bitter Bubble

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On the “most bubbly ever” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer welcome Ray Harrington on the show to talk about his Amazon & iTunes chart-topping album ‘The Worst Is Over’, what doing the work really looks like, ideas versus execution, putting yourself in the position to get opportunities, why labels distract comics from their goals, and how the most important aspect of your career is a network of people who know, like and trust you.

In addition, we have fun discussing hacky joke structures, catfishing comedians, podcast editing, when the right time is to get business cards, the best and worst merchandise we’ve seen, and why Ray hates Jim Gaffigan, amongst other things.

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Links from this episode:

Comedy Connection – Rhode Island
CC Podcast Episode 35 – Comedy Clubs As Curators
CC Podcast Episode 2 – Fighting For Cripple Rights
CC Podcast Episode 27 – You’re Not Funnier Than Jesus
CC Podcast Episode 14 – Why Do Our Fans Not Get It?
The Lean Startup
Stand-Up! Records
By The Way, In Conversation with Jeff Garlin #13 – Aziz Ansari
This Morning with Richard Not Judy – Lazy Comedy Slags
CC Podcast Episode 40 – Core Of Optimism
The Levelator
Melvin George II
Tribes – Seth Godin [Amazon]

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Connected Comedy Podcast Episode 40: Core of Optimism

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On the “burning bridges” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer welcome J-L Cauvin on the show to talk about the art of blogging as a comedian, why sharing honest experiences is important, how the expectation of success can ultimately cause your failure, and taking the training wheels off your comedy career to get down to serious work.

In addition, we discuss the comprehensive degradation of live stand-up, how the middle class levels in comedy has crashed over the past few years, why comedians tend to treat online content as a second class, and dealing with the lack of incremental growth in your career.

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Links from this episode:

Louis C.K. Tells The Classics [YouTube]
The Things New Comics Should Be Doing [J-L Cauvin]
The Business Of Comedy – Documentary [Hulu]
CC Podcast Episode 39: No One’s Going To Feed You
How To Fail In Comedy While Really Trying – Feature Work [J-L Cauvin]

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Connected Comedy Podcast Episode 39: No One’s Going To Feed You

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On another “Spectorless” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer welcome Jim Mendrinos on the show to debate the shifting focus and evolution of the stand-up artform, structure versus subject matter, how the new generation of comics naturally will reject the old constructs, and that it’s nearly impossible to judge another person’s art.

In addition, we discuss Jim’s approach of teaching comedy writing, getting ahead at the later stages of your career, how the internet has allowed veterans to reinvent themselves and given access for the first time in the industry to do exactly what it is that you want.

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Links from this episode:

The Complete Idiot’s Guide to Comedy Writing [Amazon]
CC Podcast Episode 38: What Kinds Of Delusion Are You?
Living In Exile! [Stay Tuned TV]

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Connected Comedy Podcast Episode 38: What Kinds Of Delusion Are You?

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On another “fly on the wall” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer bring Patrick Passafiume on the show for an off-the-cuff conversation about being able to self-assess your talent, staying grounded, giving and getting honest criticism of your act from peers, and learning from failure.

In addition, we discuss the dynamics of a comedy scene, why being made fun of is a rite of passage, stepping up from MC’ing to the feature spot, and weighing the standard of a “solid” set of time.

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Links from this episode:

Like I’m An Idiot Episode 15: Maggie Klaus Explains Stand-Up Comedy
Is Rob Delaney Trying to Keep the Video of Him Bombing on ‘Jimmy Kimmel’ Off the Web?

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Connected Comedy Podcast Episode 37: Getting Out Of The Bubble

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On the “fly on the wall” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer bring Mark Feigenbutz on the show for a very leisurely conversation about the internal and external struggles of moving up the comedy ladder, the destructive nature of staying inside your comfort zone, the process of framing material to suit a specific audience, and how it all ultimately comes down to the fear of failure.

In addition, we discuss how badly the television networks are looking for content, why age demographics play a huge role in the industry opportunities you get, and how early success with a great five-minute showcase set can bite you in the ass later on in your career.

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Links from this episode:

CC Podcast Episode 36 – Make Stuff
Kyle Kinane’s Going Nowhere
Interview w/ Patton Oswalt [AV Club]
Impractical Jokers

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Connected Comedy Podcast Episode 36: Make Stuff

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On the “worst pitch session ever” episode of the podcast, Jordan Cooper, Chelcie Rice and Josh Homer welcome Dan Pasternack, VP of Development & Production at IFC to discuss how a network scouts talent, the role of podcasts and web series as a development platform, and how to pitch a television executive on a new project.

In addition, Dan shares with us the story of how Portlandia was developed on IFC, the difference between ideas versus execution, the importance of having a distinctive voice, why the biggest disservice to your career is to be seen before you’re ready, and ultimately how in this day and age, it’s the best time ever to be a comedian.

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Links from this episode:

Portlandia
Thunderant
Comedy Bang Bang
Tribes – Seth Godin
Super Deluxe
Ben Stiller’s All-Star Comedy Roundtable
Out There
Maron
Coming Soon: The Spoils of Babylon & The Birthday Boys [IFC Fix]
Diabetes Is No Joke

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

How Things Go Viral And More Stuff I’m Thinking About This Week

Here’s this week’s semi-rambling look at things I’ve been thinking about, stuff comics should know about, and more food for thought for comedians. You can read previous versions of this column here.

You Can Learn A Lot From Jonah Peretti

Jonah Peretti is a really smart dude. Besides being comedian Chelsea Peretti’s brother, he’s been involved in some of the web’s biggest content success stories including the rise of Huffington Post and most recently with Buzzfeed. He recently gave a talk at something called the Changing Media Summit in which he breaks down what he sees happening on the web and how/why some things spread and others don’t.

It’s about a 30 minute talk, but well worth your time to watch it.

Comedians As Other Comedians – A New Trend?

For whatever reason it seems like lately I’ve seen a bunch of comedians doing stuff online featuring themselves parodying other comedians. For example, as a promotional stunt for the upcoming Marc Maron show on IFC, they put out a web series dubbed Maron In Space which features James Adomian’s excellent Marc Maron impression. Here’s a sample episode:

Maron also inspired another solid parody from the sketch group Family Sandwich, which you can see here.

And Maron’s not the only one inspiring other comedians to flex their parody muscles. New York comedian JL Cauvin recently scored himself a viral hit with this video in which he portrays Louis CK. Check it out below and read up on what’s happened for JL since he launched the video.

The Real Economics Of Kickstarter

I see more and more comics trying to use Kickstarter to raise money for their various projects and while it’s great that they’re trying to find creative ways to fund their stuff and I applaud the effort, I often wonder to what degree some of them understand the actual economics of how Kickstarter works. In case you don’t, here’s a quick crash course.

First, you’re pretty much only going to have a successful Kickstarter campaign if you’ve got an established fanbase or group of people to tap into in the first place. It’s really more of a tool to manage fundraising as opposed to a magical source of funding. That doesn’t mean it’s impossible to get people who don’t really know about you or care about what you’re doing to contribute to your project, but 99% of the time it’s not going to be total strangers backing what you do.

Aside from that, it’s also important to realize that there are significant fees attached to the money you raise through Kickstarter. The service takes a 5% fee on any money raised and then another 3%-5% goes to Amazon payments which processes the money. So basically, 10% of whatever you raise will go to fees.

Plus, most likely you’ll have to provide rewards for people that are contributing to your campaign and while you completely control that part of the equation and what you offer, in most cases those awards will have some hard costs associated with them as well.

So, I’m not saying that Kickstarter isn’t a great thing because it really can be an amazing tool – but if you’re considering giving it a try you should make sure you’ve taken into account that you might not actually get as much money as you think you’re going to raise through it at the end of the day. Just something to think about…

The 365 Comedians Project

Dan Dion, a photographer who’s made quite a name for himself taking portraits of thousands of comedians over the years, has launched a really cool project where he’s posting a portrait a day through his various social media platforms. You can follow along here, but here’s a few recent ones so you can get a sense of his work.

Connected Comedy Podcast Episode 35: Comedy Clubs As Curators

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On the “no solutions” episode of the podcast, Josh Spector, Jordan Cooper, Chelcie Rice and Josh Homer welcome road veteran Dale Jones onto the show to discuss the state of the comedy club business from a comic’s perspective, how clubs can shift with the changing landscape to have more sustainability, why it all can be fruitless without data showing what’s working and what’s not, and if audiences simply don’t trust the “comedy club experience” anymore.

In addition, we talk about the broadening definition of a what a comedy show is, how clubs in middle America can embrace tactics being utilized in Los Angeles and New York by understanding, embracing and being active in their local communities and thinking of themselves more as content companies than performance venues.

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Links from this episode:

Upright Citizens Brigade Theatre

5 Signs A Comedy Club Is Struggling [Ward Anderson]

The Stand

Cringe Humor

Bar Rescue Episode 310 – Meat Sauna [Spike TV]

The Creek And The Cave

Laughing Skull Lounge

Chucklefck

The Laugh Factory YouTube Channel

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!

Who You Follow Is More Important Than Who Follows You

Every comedian I speak to wants to know how to get more followers on social media, but hardly any ever ask a more important question – who they should follow.

The answer to that question varies depending on who you are and what your goals are, but the underlying principle that who you follow is more important than who follows you is something I believe is universally true – especially if you’re a newer comedian.

Here’s a few reasons why…

You Can Control Who You Follow

You’re always better served to focus on the things you can control than the things you can’t when it comes to your career and this is a perfect example of that. No matter what you do, you’re never ultimately going to be able to control how many people choose to follow you or who those people are.

Sure, there are things you can do to get more followers, but it’s always going to be out of your control.

However, you can 100% control who you choose to follow and the benefit you get from those choices. So, what are some of those benefits? Well…

You Can Learn From Who You Follow

As I mentioned in a tweet the other day, Twitter is only as good as the people you follow on it. If you follow people with relevant expertise, opportunities, and knowledge to share then Twitter can be an incredibly powerful tool for you to learn from.

It really can become a valuable asset in your career development…if you’re following people and publications that have valuable information to offer.

Most people that think Twitter sucks or that it’s just people cracking dumb jokes and sharing photos of their food only think that because they’re following the wrong people. It’s not Twitter’s fault – it’s your own, because you get to choose who you follow. Choose right and Twitter can be a great asset.

You Can Develop Important Relationships

In addition to the ability to learn from people you follow on social media, it also provides you with an incredible opportunity to develop relationships and connections to people who can help your career in a variety of ways.

You might not be able to get a comedy club booker on the phone easily, but there’s a much better chance that you can interact with that booker (or the club) on social media and start to get on their radar that way. The same is true for other comics, journalists, fans, agents, managers, bloggers, and just about anybody else you think could potentially help you in your career down the road.

Now, I’m not suggesting you start spamming people with promotional tweets or bugging them about booking you via Twitter, but rather have genuine interactions with these people. Over time, you can start to develop a relationship with them and get on their radar.

This is another example of why who you follow is more important than who’s following you – because you’ll get more benefit from one solid relationship developed on Twitter than you will from getting 100 random people to follow you.

An Email Subscriber Is Better Than A Follower Anyway

Another reason your time is better spent finding great people to follow as opposed to chasing new followers is because at the end of the day you should be trying to get people to “follow” you by joining your email list instead of just following you on social media anyways.

While most comics obsess about follower counts, they completely ignore a major fact – most of your social media followers never see the stuff you post anyway. It’s fool’s gold.

Between Facebook’s algorithms and the flood of tweets that crowd most people’s Twitter feeds, very few of the followers you’re hoping to get will actually see your posts. By comparison, your email subscribers are MUCH more likely see the emails that you send them. That’s why I talk all the time about how to get people to join your email list.

That Leaves One More Big Question…

So, if I’ve convinced you that who you follow is more important than who follows you, that leads to an inevitable next question – who exactly should you follow?

I’ll answer that in a future post, but in the meantime I’d love to hear in the comments below who you have found very helpful to follow on social media?

Connected Comedy Podcast Episode 34: Look For The Yes

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On the “don’t be an asshole” episode of the podcast, Josh Spector, Jordan Cooper, and Chelcie Rice welcome Ryan Budds to the show to talk about his move to Los Angeles from Chicago, building relationships and being a jack of all trades in an industry town, why production assistant jobs shouldn’t be “underneath” you and the power of simply just asking people for things you would like to do.

In addition, we continue to discuss Josh Spector’s recent trend of “trolling” questions towards comedians, why lamenting that there’s not enough club work isn’t a solution, how comics have been ingrained to think of the crowd as someone else’s audience, and the difference in mindset between doing work-for-hire and pursuing a career.

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Links from this episode:

CC Podcast Episode 18: When Do You Stop Paying Your Dues?

You Know What Comics Really Hate? The Audience. [Connected Comedy]

5 Ways To Build A Closer Connection To Your Fans [Connected Comedy]

Read This Before You Decide To Sell Your Comedy Album [Connected Comedy]

Comics Have Too Many One-Night Stands [Connected Comedy]

Participate with the community in our Connected Comedy Facebook group or post your questions, suggestions or topics to cover in the future on our Facebook page. We always welcome your comments!