Josh Spector

25 Things Most Comedians Do (And One Question For You To Think About)

Here’s a few observations I’ve made about how most comedians treat their careers, and one question at the end for you to think about.

1. Most comedians spend more time working on their act than their career.

2. Most comedians think they need to get booked to put on a show for an audience.

3. Most comedians can think of more reasons why they can’t do something than why they can.

4. Most comedians will never be seen again by the people in the crowd that liked them.

5. Most comedians don’t have a mailing list.

6. Most comedians haven’t updated their website in the last 30 days.

7. Most comedians think their career should be further along than it is.

8. Most comedians don’t have the ability to sell any tickets to their shows.

9. Most comedians think it’s up to somebody else to manage their career.

10. Most comedians are afraid to try something new and find their own path.

11. Most comedians think their career will develop the same way a comedian’s career did in 1995.

12. Most comedians think the audience is dumber than they are.

13. Most comedians care more about themselves than their fans.

14. Most comedians are impatient.

15. Most comedians’ fear of failure prevents them from succeeding.

16. Most comedians think of themselves as standups as opposed to comedians.

17. Most comedians won’t even read this list.

18. Most comedians don’t know their own strengths.

19. Most comedians would rather sell 10 copies of their album than get 100 people to listen to it for free.

20. Most comedians treat social media as a hobby.

21. Most comedians thought a couple years ago that their MySpace page would still have value today.

22. Most comedians are looking for shortcuts.

23. Most comedians are waiting around for their “big break.”

24. Most comedians don’t think of themselves as entrepreneurs.

25. Most comedians will fail.

SO WHY DO YOU WANT TO BE LIKE MOST COMEDIANS?

If you’re interested in building a career that’s better than “most comedians,” then check out my Free Tips Newsletter or Connected Comedy Members Program.

5 Tips For Comedians Looking To Get More Serious About Their Career

In 5 Free Tips, I provide some free advice specifically tailored to one person’s content. If you’d like me to give you 5 Free Tips, please send me an email and tell me a little about yourself.

Today’s 5 Free Tips are for comedian Sam Killermann, who sent me the following email:

Hey Josh,

I just happened upon your Facebook page and website by way of a Facebook ad (nice work), and I really appreciated what you’ve been providing.  I’ve been doing comedy for six years now, but just this year I decided to start getting serious about it.

Since January I’ve been able to get on stage once or twice per week, and I’m starting to get a little bit of attention in the area, but I’ll be moving this summer and don’t want to lose any steam I’ve built.  I was wondering what tips you have for a long time recreational comic (is that a thing?) who is looking to dive into the scene full-time.

You can find some random shows on my YouTube channel or Facebook page I just made.

Any help will be greatly appreciated!

– Sam

Here’s my suggestions for what to do when you’re ready to get more serious about your comedy pursuits…

TIP #1: Study Your Local Comedy Scene

The first thing you should do – especially if you’re moving to a new area – is to try to learn as much as you can about the local comedy scene in your area. Go to shows, talk to comics, talk to audience members, check out venues, and do everything you can to understand the local comedy universe you’re going to be performing in most of the time. Not only will this help you find opportunities to perform and give you an understanding of which local shows are best and why, it will also help you start to see a path to success that other comics in your area have used to grow their career.

Typically, there are certain patterns that develop in local comedy scenes – comics start off at a certain open mic, which leads to a certain indie room, which leads to a certain showcase, which leads to a certain club, which leads to some road work, etc. It’s different in every case, but you can learn a lot by studying the path that other people have followed to grow their careers. That said, the better you understand your existing local scene, the more likely you are to see opportunities to create something new and special for yourself if that’s something that interests you.

TIP #2: Explore Different Ways To “Perform” Comedy

One of the traps too many comedians fall into is thinking that the only way to get serious about their career is to just perform as much standup as they can – I think that’s too limiting of a strategy. Instead, I’d encourage you to broaden your idea of what it means to be a comedian and experiment with creating all different kinds of comedy. This includes everything from sketch, to writing, to making Internet videos, to podcasting, to blogging, to acting, to writing screenplays, to creating characters, etc.

There’s unlimited possibilities for how you can make a career out of making people laugh (which is what your ultimate goal should be), and when you’re just starting out it’s impossible to know what aspect of comedy you’ll be best at or for that matter enjoy the most. Experiment with as many different things as you can and you’ll wind up learning a lot – plus, you’re ultimately going to need to have a lot of different comedy skills in order to have a successful career anyways.

TIP #3: Be Prepared To Be Patient

No matter how hard you work, how talented you are, or how serious you approach your career, it’s going to take time to succeed. It’s important to understand this before you go into it and to recognize that you’re going to have to be patient. Inevitably, there will be times when you feel like you deserve more success than you have and you’ll look at other comedians who you’re sure are not as talented as you and wonder why they’re career has advanced further than yours. You need to be able to deal with these emotions and persevere.

Personally, I think one of the best ways to prepare yourself for this is to be honest with yourself from the start and recognize that it’s going to take time to build a comedy career – there’s no shortcuts. In his famous book Outliers, Malcolm Gladwell makes the case that you have to put in 10,000 hours at something to truly succeed at it – keep that in mind the next time you get frustrated at your career growth.

TIP #4: Capture A Connection With Fans

Just because you’re going to be patient and put in your 10,000 hours, that doesn’t mean you shouldn’t be looking to make tangible progress every step of the way. As I’ve mentioned before in my post about the 10% Goal, you should start trying to capture a connection with fans from the very beginning. Start a mailing list, have a website where you regularly produce or curate content, and set a goal from the start of ensuring that every person who sees you and likes you will connect with you in some form that you can reach them as your career grows.

Most comedians don’t bother trying to connect with their fans until they’re more established – and some don’t even bother to do so then – and that’s a HUGE mistake. Even if you can get five people in your local area each week to join your mailing list, that would give you a 260 person local mailing list of fans at the end of one year and probably enough people that you could sell out your own headlining show at a local venue – something that most comics still can’t do.

TIP #5: Treat It Like A Business

Finally, if you’re ready to take the next step with your comedy career then it’s important to start treating your comedy like a business instead of a hobby. Be professional in your dealings with venues and bookers, be willing to network with people in the industry, spend time educating yourself about the business of comedy, and invest in yourself the same way anybody would invest in their own business.

Most comedians are inherently not businessmen – they got into comedy because they didn’t want to have a “real job.” That’s fine, but you’ll find that most comedians who actually wind up having successful careers do so in part because they treat their comedy like a business and like a “real job.” Don’t be fooled by the slacker attitude that many top comedians may portray – in private, most of them are deadly serious about the business of their careers. And that’s one of the big reasons why they’ve been so successful.

I hope these tips help, and if anybody else would like to get 5 Free Tips, please let me know.

Why It Works: The “Epic Meal Time” Web Series

In today’s edition of Why It Works, I’m going to take a look at the insanely popular Epic Meal Time video series and break down some of the reasons that I think the show has been so successful.

In case you’ve never heard of it, Epic Meal Time describes itself by saying, “We make your dreams come true, and then we eat them.” Basically, the show consists of a bunch of guys who make crazy food concoctions (usually involving a LOT of bacon) and then eat them – or get hot girls to eat them. You can think of it as the world’s most hardcore cooking show.

But the unique mix of attitude, comedy, cooking, and madness that is the recipe for Epic Meal Time has proved to be a huge hit online. Since debuting in September, the crew’s YouTube videos have generated a whopping 71 million views and attracted 607,000 subscribers. Here’s their latest video so you can see what all the fuss is about:

Ok, so why exactly does Epic Meal Time work? Here’s a few reasons…

1. It Appeals To Multiple Audience

I think the biggest reason for Epic Meal Time’s success is that its concept appeals to multiple distinct audiences. It’s funny and will appeal to comedy fans, but it’s just as likely to appeal to foodies who are interested in cooking. And, it’s just as likely to appeal to fans of crazy Internet videos as well as people that are into “extreme” culture. These are four distinct audiences, each of which would be enough to create a hit individually, but Epic Meal Time has created a show that appeals equally to all four of them.

2. The Videos Are Made To Be Shared…Even If You Don’t Like Them

Whether you love or hate what Epic Meal Time does, you’re probably likely to share their work. That’s because it has that distinct “You’ve gotta see this!” feel to it. Because their videos are so over-the-top and crazy, they wind up being very viral. If you love what they do, you’ll probably want to show other people how cool it is. But what’s interesting is that even if you hate what they do, you’ll probably want to share it with other people to point out what idiots they are. But a share is a share, and it’s one of the reasons I think Epic Meal Time has attracted so many views.

3. It Provides More Than Just Entertainment Value

These videos are fun to watch and I certainly don’t expect most people to attempt to make any of the things that the Epic Meal Time guys do. However, I bet that some people do – or at least they get inspired to create their own similar dishes. Because of that, these videos are actually providing informational value in addition to being entertaining and that’s always helpful in terms of the success of a video series. If you can manage to entertain somebody and give them something of informational value, you’ll always wind up finding more success for your content than if you’re only entertaining them.

4. It’s Got A Unique Voice

There’s tons of cooking shows on YouTube and there’s probably tons of funny cooking shows on YouTube. But the guys in Epic Meal Time approach the genre with a very unique voice – I’m sure some of you find it completely annoying, but you can’t disagree with the fact that it’s got a voice. It’s important to differentiate yourself in everything you do from the rest of the crowd, and these guys definitely do that. Speaking of which…

5. It’s Not For Everybody

There’s definitely got to be a lot of people out there that hate Epic Meal Time. They may think the guys are annoying, or the food is disgusting, or the concept represents everything that’s wrong with American food culture. But not only is it ok that some people hate the show, it’s probably a good thing. Your content shouldn’t be for everybody – it should ignite passionate responses in people. The more your show has a voice, the more some people will hate it. But that also means the more some people will love it, and those people will become major advocates of the show. People that like Epic Meal Time, REALLY like it. And that’s a key to success.

6. It’s Loaded With Monetization Opportunities That Won’t Annoy Their Audience

One of the strongest things about the Epic Meal Time concept from a business perspective is that it’s packed with easily integrated monetization opportunities that won’t annoy its audience. For example, sponsors could pay them to use their ingredients, could hire them to cook a special version of their products, or could pay them to wear their merchandise. In the Mac and Cheese video, they reference the specific Frank’s Red Hot sauce brand – were they paid for that? I don’t know, but it wouldn’t surprise me if they were.

Plus, in addition to seamless sponsorship opportunities, the guys have also managed to create merchandise that appeals to their fans and represents their voice. Their store sells items like the bacon strips shirts you see them wear in the show, and I’m guessing they sell pretty well. Why? Because they’re not just promotional, they’re allowing their audience to express an opinion through their merchandise.
 

5 Things You Can Do To Appeal To Comedy Bookers

The other day on the Connected Comedy Facebook page I asked readers what topics they’d like to see me address in an article and I was amazed at how many people wanted more information about how to approach and succeed with bookers. Personally, I think most comics are too obsessed with bookers as opposed to growing their own fanbase, but I’ll save that conversation for another day.

I know bookers are an important piece of the career puzzle, especially early on in your career, so here’s a few tips to help you in your dealings with them.

1. Be Professional

It should go without saying that if you want somebody to treat you like a professional, you need to act like one. But surprisingly, a lot of comedians don’t treat their own careers seriously and then wonder why bookers don’t take them seriously. When you approach a booker in an attempt to get work, you want to be able to show them that you’re a pro (even if you’re not quite yet) – that means you should have professional materials for them to review including a respectable website, a decent video of your act for them to review, and probably a business card if you have the opportunity to meet them face to face. The more seriously they can see that you take comedy, the more likely they are to take your comedy seriously.

2. Be Different

The average booker is constantly bombarded by hundreds (if not thousands) of comedians who are just like you. It’s great that you’re funny and you’re taking your career seriously, but so are a ton of other comedians. So why should the booker give you work instead of the next comic?

You should spend some time thinking about how you can position yourself differently from every other comedian that’s trying to get that booker to hire them. Do you have a unique hook that will work with a specific crowd that comes to that venue’s shows? Do you have something you can offer that other comedians can’t? The more you can figure out how to separate what you do from every other comic, the better your chance of landing a booking. Remember, it’s not enough to just be funny. There’s lots of people that are “just funny.” Personally, I think the best way to separate yourself is to…

3. Have An Audience

The single most important thing you can do to appeal to a booker is to be able to guarantee that you can bring an audience to their venue if they book you. This is why I stress that concentrating on growing your fanbase is more important than trying to figure out how to appeal to bookers. Because if you have an audience, you will appeal to a booker because it makes life much easier for the venue.

Of course, it’s difficult to build an audience before you’re getting regular bookings, but it’s not impossible. Think about ways you can ensure you’ll bring a crowd if you get booked – for example, maybe you’ve got a relationship with a church or other organization where those people have agreed to come see you perform if you get booked. Hopefully, you’ve been building a fanbase for the online content you’ve been creating that you can now reach and have come out to a show if you’re booked. Remember, the ability to bring an audience with you is the absolute best way to ensure you get booked.

4. Understand The Booker’s Needs

It can be helpful to put yourself in the booker’s shoes and think about what their needs are as opposed to your own. Most bookers are juggling a lot of things – they have to figure out how to book talent that will attract customers to their venue, they have to book talent that will satisfy the customers who attend blindly, they have to ensure that their talent costs are less than the revenue they generate, and they have to juggle a million other things. It’s easy to scapegoat bookers who don’t book you, but the job is tougher than you probably realize.

If you try to think about all the challenges facing a booker, you may start to see opportunities where you can help make their life easier. You can even ask a booker if there’s anything they may need help with and volunteer to help out however you can. In exchange for helping make their life easier, you may be able to land yourself some bookings. And even if you don’t, you’ll at least learn a lot more about how bookers work and what they’re looking for which will help you down the road.

5. Instead Of Trying To Get Yourself Booked, Try To Produce A Show

One of the ways to separate yourself from the pack and try to get a booker’s attention would be to package and produce an entire show and pitch that to a booker as opposed to just pitching yourself. By pulling together several comedians with a strong concept and promotional hook, you can offer a package deal to a booker that may be more appealing (and unique) to him than just asking him to book you on a show.

This is a really effective way of getting booked, but if you’re going to go down this road you’re going to have to be sure that you can commit to promoting the show, drawing a crowd, and making it work. This might be an easier way to get booked, but it ultimately involves a lot more work. However, if you put in the work, it’s got a huge upside.

I’m sure lots of you have learned things from dealing with bookers, what advice would you have for people? Please leave a comment with your thoughts…

5 Short Videos That You Can Learn Something From Today

One of the greatest things about the Internet that I don’t think enough comedians take advantage of is the fact that there’s literally world of information at your fingertips that can educate and inspire you. A quick browse through YouTube can reveal tons of valuable information that can further your career and change the way you see things.

I often learn a lot from videos featuring various people that I consider to know a lot more than me, and I thought today it might be interesting for me to share a few videos that I think will be helpful to you as you continue to grow your career. I know you’re busy, so in this case I’ve pulled together five videos that are each less than five minutes long so you can watch them quickly and get something out of them. Here they are…

1. Gary Vaynerchuk Talks About Blog Strategy

Gary Vaynerchuk is a social media expert and self-proclaimed hustler who has literally built an entire career for himself by practicing what he preaches. In this video, he breaks down how he approaches blogging including what tools he uses, why he’s been successful with it, and how you can approach monetizing your blog.

2. Mitch Joel Tells The Story Of Journey

Mitch Joel is a marketing expert based in Canada who talks about how YouTube has changed the world in this video, where he tells the story of the band Journey and how it found its latest singer.

3. Ben Huh Discusses The Secret To User-Generated Content Success

Ben Huh is the guy behind the Cheezburger Network, a network of humor websites that includes popular sites such as Fail Blog. In this interview, Ben explains how his company has succeeded and why he believes that the blog-to-book business is so huge.

4. An Interview With The Manager Of Odd Future

Christian Clancy is a former record label executive who now manages the much-buzzed about hip hop act Odd Future. In this interview he explains how Odd Future’s unique embrace of the Internet and authenticity as an artist has been the driving force behind their success and defied all of the conventional wisdom about how to make it in the music business.

5. Seth Godin Explains The Value (And Illusion) Of Social Media

In this video Seth Godin explains why so many people get distracted by their social media scorecard and how you should be using social networking to accomplish a much more important goal.

Facebook’s Sponsored Stories: Your Secret Weapon In Facebook Promotion

As you know, I’m a big believer in the power of Facebook advertising to grow your fanbase and promote your content. But what you may not know is that in addition to regular Facebook ads, the social network has recently allowed you to run a new kind of ad called Sponsored Story ads, which I’ve found to be incredibly effective so far.

Sponsored Story ads can be run just like any other ad on Facebook – you set up an account and set a daily budget for the amount of money you’re willing to spend on the ad and the amount of money you’re willing to bid per click. The ads appear on the sidebar of pages throughout Facebook as your targeted audience surfs the site. But here’s the two things that make Sponsored Story ads different from typical Facebook ads:

1. Sponsored Story ads feature the content of your most recent fan page status update as the content of the ad. Unlike typical ads, you don’t choose the image/text and destination of the ad.

2. Sponsored Story ads can only be targeted to people who are already fans of your page.

Now, at first these may both seem like negatives, but that’s probably because you’re missing the true value and reason to run these Sponsored Story ads – they are designed to ensure that all the people who are fans of your page actually see the updates you post.

As I’ve written before, typically only about 5% of your fans actually see the updates you post. I’m sure you’ve already found that to be incredibly frustrating and wondered why nobody seems to be responding to the majority of your posts. Well, Sponsored Story ads can correct that problem, because now all of your fans will be seeing your updates in their sidebar, even if they miss them in their newsfeed.

Yes, you’ll have to pay for people who click on your Sponsored Story ads, but the costs are fairly low and in my recent experimenting I’ve found it to make a huge difference.

I started running Sponsored Story ads for my Connected Comedy Facebook page back on March 25th and immediately saw a huge impact in terms of interaction on my Facebook page, traffic to my website, and emails from people interested in my services. I was blown away to realize how many people had become fans of Connected Comedy, but were never seeing my status updates before I started running the ads. Running Sponsored Story ads suddenly brought them back into the Connected Comedy community and led to me getting a lot more interaction on everything I posted.

While it cost me a little money, it didn’t cost that much considering what I got out of it. Since I started running the ads, it’s cost me an average of 12 cents per click and has generated 1,355 clicks to my Facebook page so far – and keep in mind that doesn’t count all the people who clicked the ad, found something interesting, and shared it with their friends.

Also, keep in mind that every time somebody visits your fan page or interacts with an update, it makes them  more likely to see your future updates in their news feed – even if you’re not running the Sponsored Story ads any more.

My Connected Comedy audience has grown significantly in the past few weeks and I think that’s had a lot to do with the Sponsored Story ads.

Another reason why I’m so high on Sponsored Story ads is that I’ve noticed how they catch my eye as a user. There’s not a lot of pages I follow that are using the ad, but one comedian (and Connected Comedy reader) who I know has been using them is Dartanion London.

How do I know Dartanion’s using the ads? Because I see just about every status update he posts in my sidebar running as a Sponsored Story ad. That’s right, unlike the hundreds of other comedian fan pages I “Like,” Dartanion is the one guy whose updates I always see because he’s the only one (as far as I know) running the Sponsored Story ads.

I reached out to Dartanion before writing this post to see if he had a similar experience to me with the ads and sure enough, he was singing their praises as well. Here’s what he said about them:

Hi Josh!

Yes, it seems like we’re the only two comedy people running those ads ’cause I see yours next to mine all the time. I’d say they are working well for me to drive engagement, but not as well to gain new fans. Does that match your experience?

Basically, I write a new joke every day and put it on Twitter and Facebook. The Sponsored Stories are nice ’cause they automatically make the status update into an ad for people that are already my fan. If they’re not, then I can still target them but only with a “like box”, which doesn’t have nearly as good a response rate. They’re only costing me a few bucks a day, which still adds up over a month, but I’ve been pleased at the small but growing “community” that’s springing up around my fan page.

I think the thing that makes these work is having consistent updates; jokes in my case or blog posts in yours. I suspect it’s even more valuable to you though, since you’d be getting a person to go to your blog whereas half the time I will just get someone liking the ad. If other comedians want to emulate this they’ll also have to emulate the constant updates.

For what it’s worth, Dartanion’s probably not gaining a lot of new fans from the ads because they don’t get seen by people that aren’t already existing fans. Also, since he’s posting mostly text updates (which cannot be “shared” on Facebook), he’s probably not getting much of a viral lift from it. If he were posting links to sharable content (like I do to my blog posts), he’d probably get some more new fans out of it.

One more thing to mention regarding Facebook’s Sponsored Stories ads is that like all Facebook ads, you can turn them on and off whenever you want. So, even if you’re not prepared to commit to running them regularly, I would recommend at least running them occasionally when you post a status update that you really want people to see. I think you’ll find it’s a great way to ensure that your fans see what you want them to see.

Have you tried an Sponsored Story ads? Leave a comment and let me know what kind of results you get…

Connected Countdown: 10 Things You Need To See This Week

Every weekend I break down the 10 things I think you most need to see this week, including a mix of posts on this site and other stuff from around the web that I think should be on your radar. Here’s this week’s countdown…

10. 3 Examples of Comedians Using Social Media In Creative Ways

In this Connected Comedy post, I highlight some of the most interesting things I’ve seen comedians do recently online.

9. Earwolf’s Scott Aukerman and Jeff Ulrich Discuss The Podcast Boom

In this interview with Splitsider, the guys behind one of the fastest growing comedy podcast networks out there discuss what they do and how they do it.

8. 10 Things You Can Do To Get 10 New Fans Today

In this Connected Comedy post, I give you some quick and simple suggestions for how you can grow your fanbase in a day.

7. An Interview With The Creator Of The ShortFormBlog

In this Mediaite post, ShortFormBlog creator Ernie Smith explains why he decided to move his blog to Tumblr and shares some advice about how to get the most out of Tumblr.

6. 6 Tips To Help You Write Effective Blog and Video Titles

In this Connected Comedy post, I lay out some tricks of the trade when it comes to getting more clicks for your headlines.

5. Two New Web Properties Get Hollywood Deals

Here’s a couple things you should see: the story about how the My Parents Were Awesome blog got a book deal and how the popular YouTube video series The Annoying Orange got a TV deal.

4. How I Work With My Clients

In this Connected Comedy post, I break down how I typically work with my clients. If you’re interested in hiring me, feel free to email me to discuss.

3. Two Major Developments At YouTube That You Need To Know About

In this Connected Comedy post, I discuss YouTube’s new foray into producing original content and its latest move to become more like a TV network.

2. The #1 Way To Lose Facebook Fans

The results of a new study reveal that overposting is the main reason why people “Unlike” Facebook fan pages.

1. A New Way To Measure Your Success: The 10% Goal

In this Connected Comedy post, I explain why I think you should use a different metric to measure the progress of your career.

Looking for more? Check out these previous Connected Countdown posts.

A New Way To Measure Your Success – The 10% Goal

As you grow your comedy career, one of the things that will inevitably be tricky (and potentially frustrating) for you is trying to figure out if you’re actually making any progress or if you’re making as much progress as you feel like you should.

There’s a lot of reasons for this of course, but one of the biggest is that there’s not really a set of concrete metrics you can use to determine if you’re progressing.

Most people judge their career progress based on whether they’re getting more gigs, whether those gigs are in front of bigger crowds, how much they’re getting paid for those gigs, and whether or not Hollywood has come calling. Those are all valid ways to measure your progress to a certain extent, but they don’t necessarily give you an accurate reading of where you’re at with your career.

Most of those conventional metrics can be very misleading – just because a booker decides to book you in a club where 200 people show up who don’t even know who you are, that doesn’t mean your career is necessarily growing. It means one booker likes you.

And just because you get a TV deal, it doesn’t mean that you’ve made it. Just ask any of the hundreds of comics in LA who have been on multiple TV series but still find their careers stuck in the mud.

I’m not knocking any of these things – they’re good goals to have and are legitimate signs that you’re headed in the right direction. However, I’d recommend considering a different measure of success – one which will be just as applicable when you’re starting out as it is when you’re headlining clubs.

I call it The 10% Goal.

I believe your goal and measure of career growth should be to convert 10% of the people who see anything you do into fans that are connected to you in some way. I’d recommend trying to get them to join your mailing list as I’ve discussed before, but even if it’s following you on Twitter or Facebook, the key is to get them to connect with you beyond the initial moment they first found you.

This applies to everything you do – live shows, website visitors, Youtube viewers, people who read a blog post you contribute to another website, whatever. You may not always hit it, but the goal should be to get 10% of the people that see your work to become fans – not just to enjoy your work, but to actually connect with you and join your fanbase.

There’s several reasons why I believe having this goal can help you. Here’s a few:

It’s A More Concrete Way To Measure The Success Of Everything You Do

Because this 10% conversion rate will present you with a numeric “scorecard” for everything you do, it allows you to really judge your progress over time. For example, when you perform standup you can get a sense of whether or not people liked you. But whether they liked you and whether they become a fan of yours is two different things completely.

Entertaining people for 15 minutes and having a good set is fine, but it does nothing to grow your career unless some of those people stick around and connect to you. It’s easy to fool yourself into thinking you’re growing your career because you’re consistently getting laughs, but if you’re not getting fans then you’re not actually building anything.

The same is true for videos or content you post on the web. It’s great to get 1,000 views for something, but that has no actual value unless you get some of those people to stick around and follow the rest of your career. I recently spoke with a comedian who had received more than 15 million views for his videos over the years, but was frustrated that he didn’t have a bigger fanbase for his shows and merchandise. But he had never made an effort to convert those views into ongoing fans with a connection to him. If he had converted 10% of his 15 million viewers into ongoing fans of his work, he’d have 1.5 million fans and an entirely different career at this point.

It Gives You A Worthy Goal

If you went into a show knowing that your goal was to get 10% of the people in the room to follow you on Twitter or join your email list after your set, would you do things differently? I bet that you would. Setting a goal and committing to a new way of judging your own performance will impact the way you approach the business side of your career. For that matter, it will force you to consider the business side of your career in everything you do, and that alone will help you in the long term.

You Can Track Your Progress And It Will Energize You

As I’ve mentioned before, I’m a big believer in the power of momentum. Having a metric like the 10% Goal to chase after will not only motivate you, but will energize you as you see yourself making progress. It’s very difficult to judge your progress as a comedian when the only metric you have is something as abstract as how many laughs you get. Are you getting more now than you did three months ago? Maybe, maybe not. Who knows? And maybe crowds like you more, but bookers haven’t caught on yet so you assume you’re not making progress even though you actually are.

Being able to numerically track your growing fanbase can help you figure out what’s working and what’s not working in your career. And it can give you proof that you’re advancing, whether or not the “industry” has caught on to you yet or not.

It Works At All Levels

Are you just starting out and performing at open mics for 10 people? That’s fine – see if you can get one of them to join your email list. Are you headlining clubs and performing in front of 10,000 people a month? Well, then see if you can get 1,000 new subscribers each month. This is a goal that will scale along with your career and that’s important.

Now, I hope that at least 10% of you that enjoyed this post will please take a moment to subscribe to my Free Tips Newsletter. 😉

 

3 Examples Of Comedians Using Social Media In Creative Ways

It’s very easy for comedians to fall into the trap of thinking that they can only use social media to create and distribute the same kinds of content. Just about every comedian with a YouTube channel either posts clips of their standup act, or maybe the occasional sketch or rant. And just about every comedian with a podcast invites some of their comedy friends to come by and sit around and shoot the shit for an hour.

There’s nothing wrong with these things, but it’s amazing how few people ever really try to do something different, to use all these tools to really be creative and try something new or different. To help inspire you to think outside the box (to use an obnoxious term) with your content, I want to highlight three recent creations I’ve seen that are unique, effective, and really clever. Here they are…

The Footloose Remake

It took about a year to pull off, but a group of creative people (many of whom are comedians) teamed up to produce a complete remake of the movie Footloose. The “film” features scenes re-enacted by 54 different filmmakers, who each shot their scene wherever they were around the world. It’s a pretty amazing logistical feat and the finished product is really interesting.

What I like about this is that besides being unique, it leverages 54 different creators’ existing fanbases, it appeals to a built-in audience (Footloose fans), and it’s a great hook to get free publicity because it’s such a unique and fun idea. Here’s a look at how the finished product turned out:

The Eardrop Podcast

The guys over at the Earwolf podcast network recently created a new podcast called Eardrop that is a real departure from the typical comedy podcast. Here’s how they explain what Eardrop is: “We’ve invited some of our favorite comedians to call in and leave messages on our answering machine. These are those messages.”

It’s a really clever idea that (again) leverages multiple comedians they have relationships with and creates a truly unique and fun listening experience. There’s no rule that every podcast has to have the same format, so how come so many of them sound the same? I applaud the Earwolf guys for trying something different.

Myq Kaplan’s “IAmA” Reddit Post

As I’ve mentioned before, I believe that Reddit is probably the best social media site on the web. It’s got a huge community of people, and it’s easy to find threads dedicated to just about any interest you may have.

One of the more active sections of Reddit is the IAmA page, which is basically a page where people can post a message saying what they are “I Am A…” and then other readers can ask them questions about their experiences and interact with them.

I recently saw that comedian Myq Kaplan went on the site and posted the following:

“My name is Myq Kaplan. I am a stand-up comedian. I have been on Last Comic Standing, Conan’s Tonight Show, Comedy Central Presents, and now Reddit for the first time. Ask me anything, if that’s how this works. (PS Sorry for the weird spelling, I know. Or you’re welcome for it, I know!)”

That sparked a 368 (and counting) comment discussion with Myq about his experiences and likely introduced him to hundreds of potential new fans in a really genuine way. He was literally connecting with people as opposed to promoting to them. I don’t know if he set out to do it as a promotional thing or (more likely) because he digs Reddit and thought it would be fun to do. Either way, it’s great and another example of how there’s a lot more ways to connect with fans than most people realize.

I’m sure there’s a lot more examples of people doing unique stuff out there – please leave a comment with any cool things you’ve come across that you think people should see. Thanks!

6 Tips To Help You Write Effective Video And Blog Titles

When I studied journalism in college, one thing I learned that remains true is the power of headlines. In fact, the Internet has made headlines and titles even more important now because with social media, often people are making the decision whether or not to view your content based solely on its title.

But most comedians spend little to no time considering what they’re going to title their newest video or blog post and they certainly don’t take into account the huge impact it can have on the number of people that wind up checking it out. Here’s a few suggestions for how you should be thinking about your titles…

1. Write For Your Audience, Not For Yourself

One of the most common mistakes I see in titling – especially on blog posts – comes when people use titles that may have meaning to themselves but won’t resonate with an audience. For example, let’s say that you write a blog post about a crazy night of drunken debauchery you had and then title it, “I Should Have Known Better.” That title might work for you because you know who you are and you know what it’s referencing, but for a potential reader who may just see that headline on a Facebook or Twitter status update or on your website, it’s not that appealing because it doesn’t give them any information about the post.

As a result, your headline “undersells” your content because it’s not compelling enough to get people to want to read that amazing story that you’ve told. Instead, you could have titled it something like “This Is What Happens When You Drink 15 Margaritas” or “How To Get Thrown Out Of 5 Bars In One Night” or something like that – those titles are more descriptive and likely to interest people who have no idea even who you are. Remember, the goal of your content is to not only get people who know you to read it, but to attract new fans.

Here’s a way to think about your titles that may help: Write titles that sound like you’d find them in a magazine as opposed to titles that sound like you’d find them in a personal journal. This is because magazines write for their audience (which you should be doing), and people who write in journals are only writing for themselves.

2. Write For Google, But Don’t Only Write For Google

When you’re titling a blog post or video, you’re doing more than just telling people what your content is about – you’re also telling Google. While the world’s biggest search engine considers a lot of factors when it comes to determining whether or not your content fits what somebody else is looking for, one of the most important factors in that determination is your title and you should take that into account.

For example, if you’ve created a piece of content that’s related to golf and you want people who are interested in golf to see it, then you better include the word “golf” in the title. It won’t guarantee that people searching for golf will find it, but it will help your chances.

The flipside of this is that it can be easy to get carried away with stuffing relevant keywords into your title – often times when you see an awkward title it’s because that person is just trying to get Google’s attention. I don’t recommend this. You want to strike a balance between including relevant keywords in your title and still writing a compelling title that makes sense and will capture people’s attention.

3. Most People Will See Your Headline Out Of Context

One thing you’ll want to keep in mind is that the vast majority of people who will see your title will see it completely out of context. They won’t know it’s on your site, they won’t know what the content is, they won’t know the backstory, and they won’t see anything other than the headline appearing in a Twitter or Facebook feed, on a YouTube related videos page, or in a Google search results. Their decision of whether or not to click and view your content will solely be based on the words in your headline.

Since this is the case, you want to concentrate on headlines that work on their own. For example, headlines like “Here We Go Again” or “Another Reason What I Said On Tuesday Was Correct” are meaningless if I don’t know the backstory of what you’ve done in the past. When choosing your headline, take a moment to consider it on its own and think about whether it would be of interest to somebody who doesn’t know anything about you or your content.

4. Write Like A Tabloid

When it comes to headlines, nobody does it better than the tabloids. Think about how places like TMZ and the New York Post write headlines – they’re over the top and often slightly misleading, but they absolutely “force” you to click them to find out more. That’s what you want to do with your content.

Remember, the main goal of your headline isn’t to summarize your content – it’s to attract people to it.

5. Be Clear, Not Clever

One of the traps that comedians fall into when it comes to writing headlines is trying to be too clever. Since you’re creative and funny, your instinct will probably be to try to come up with a clever play on words or a title that will be hilarious…after somebody’s viewed the content. The problem is, clever titles rarely work until after somebody’s viewed the content and that’s not what you’re looking to do.

Instead, try to be as clear as possible about what the content is about. You’ll find that by being clear your title will be more likely to be effective in Google searches, more likely to appeal to the intended audience, and more likely to get clicks.

6. Your Headline’s The Setup, Your Content’s The Punchline

Especially when it comes to videos, your headline can have a huge impact on how people view your content. Since your title is what usually draws people to view your content, it also establishes the context for how they view it – essentially, it functions as a setup to the punchline that is your content.

For example, let’s say that you make a video in which you rant about why you think Lindsay Lohan should pose for Playboy. You could title that video “Lindsay Lohan Poses For Playboy!” and you’d probably get a lot of clicks for it. But, the people that were clicking would be expecting to see Lindsay in Playboy and will wind up hating your video because your setup doesn’t match your content. Instead, somebody who clicks a video titled “3 Reasons Why Lindsay Lohan Should Pose For Playboy” will get what they’re expecting and be MUCH more likely to enjoy and share your video.

Don’t try to trick people into viewing your content – people hate feeling misled and they’ll wind up hating your content (even if they otherwise would have enjoyed it). And even worse, they’ll stop trusting what you say about your content in the future and eventually just tune you out.

If you want some quick advice on a title of one of your videos or blog posts, feel free to leave a comment on this post and I’ll give you some feedback.