Josh Spector

Connected Comedy Podcast Episode 6: The Answer Is Keychains

We’re on iTunes! Please subscribe, rate or review this podcast there!

On the “bad listener questions” episode of the podcast, Jordan Cooper, Chelcie Rice, Josh Spector and Josh Homer welcome community member Steven Padilla of the Comedy Scene in Houston website onto the show.

This week we continue followup on the internet vs. television fame debate, learning from the biggest YouTube personalities, why someone’s first taste of success drives motivation and how comedians can sell tickets to their shows effectively online for themselves. Also, we discuss Louis C.K.’s career path, how he exploits opportunities to gain knowledge and whether he could duplicate his success had he just started doing stand-up now in 2012.

[powerpress]

Links from this episode:
Reality Check: Internet Comedy Success [Ward Anderson]
10 Big YouTube Earners in 2011 [Devstand]
Maker Studios
Skinja – Dan Goodman
King Temp – Nick Turner
Louisville Comedy
Road Comics Forum
Podcast Episode 2 – Fighting For Cripple Rights (merchandise talk)
Louis C.K. selling tickets for his tour exclusively through his website [Laughspin]
Eventbrite
Brown Paper Tickets
Laugh Stub

Participate with the CC community in our Connected Comedy Facebook Group or post your questions, suggestions or topics to cover in the future on our Facebook Page.

We always welcome your comments!

4 Social Media Tricks To Get More Fans And Followers

One of the biggest misconceptions about social media is that every platform is the same. That couldn’t be further from the truth.

What works on Facebook doesn’t necessarily work on Twitter, what works on Twitter isn’t usually a great fit for YouTube, and your email list is another thing completely. It can all get a little overwhelming, which is why I previously shared with you how I recommend using each platform.

But even though each channel works in its own unique way, there are some tricks you can employ to help cross promote them and grow your following across all of them. Here’s how:

1. When Somebody Subscribes To Your Mailing List, Invite Them To Join You Elsewhere Too

By now you know that I believe an email subscription is the most valuable connection you can get from a fan. But it’s not the only one that matters.

I’d recommend that you include a message in the first email you send to new subscribers that invites them to connect with you on the other social media platforms that you use and explains why they should. For example, here’s the first email that subscribers to my Free Tips Newsletter receive when they sign up for it – it almost always leads subscribers to follow me on multiple platforms.

I want to take a moment to thank you for subscribing to my Free Tips Newsletter and to welcome you to the Connected Comedy community.

I truly appreciate your interest in what I have to say and look forward to getting to know you.

I’ve got a lot of useful information to share with you, and I encourage you to reply to any of the emails I send with any specific questions or concerns you may have about how this all applies to your specific needs and goals.

You’ll get the first of my Free Tips emails in a couple days, so please be on the lookout for it and let me know if for any reason you don’t receive it.

In the meantime, I’d highly recommend you take a moment connect with myself and other Connected Comedy members in the following places:

“Like” The Connected Comedy Facebook Page: There’s an incredible community of readers on Facebook who regularly help each other out.

Join The Connected Comedy Facebook Group: This is a group where myself and other Connected Comedy readers chat, help each other out, and discuss issues relating to the business of comedy.

Get The Connected Comedy Daily: This is a daily email I send with links to various articles and videos that I think comedians should know about.

Follow Connected Comedy on Twitter: You can get advice and interesting links here 140 characters at a time.

Subscribe to the Connected Comedy podcast: This is a weekly podcast featuring an ongoing conversation between myself and a rotating lineup of comedians who discuss the business and marketing side of comedy.

2. Share Screenshots Of Your Tweets As Photos On Facebook

This is a new tactic that I just tried recently and seemed to work pretty well. If you write a tweet that you want to share with your Facebook fans, instead of just reposting it as text take a screenshot of the tweet and post it as a photo.

This does a couple things. First, photos get much more engagement on Facebook than text-only status updates because the big images standout in people’s newsfeeds. So, your update is more likely to be seen if you post it as a screenshot of the tweet.

The second thing this does is essentially function as advertising of your Twitter account to your Facebook fans and reminds them that maybe they should follow you on Twitter as well.

Here’s an example of what it looked like when I did it:

3. Incorporate Tweets Or Facebook Questions Into Your YouTube Videos

One of the best ways to build a successful YouTube channel is to incorporate some interactive elements into what you do – usually by referencing comments or soliciting questions from viewers. Well, you don’t have to limit the origin of those questions and comments to YouTube comments.

Instead, reach out to your Twitter or Facebook fans and encourage them to contribute ideas or questions for your YouTube videos. Then, feature those in your videos and you’ll give your Facebook/Twitter followers a reason to connect with your YouTube videos and you’ll give your YouTube subscribers a reason to interact with you on Facebook or Twitter.

4. Do a #FollowFriday Roundup on Facebook For Twitter

One of the most successful ways I’ve cross promoted my social media channels has been through my weekly #FollowFriday roundup posts on Facebook. Each Friday, I invite my Facebook fans to comment on a post with their Twitter accounts and promise to include them in a #FF tweet. I also encourage them to do the same for each other so that we all get some new Twitter followers.

This is a really popular promotion because everybody benefits from it, but it also gives me an excuse to remind my Facebook fans that I’m also on Twitter each week. Plus, because we’re able to keep all the accounts listed in the comments of a single Facebook update, it’s more effective  than just trying to do it on Twitter where it would be a ton of replies going back and forth.

And, taken one step further, I’m able to post a tweet inviting people to participate by commenting on my Facebook page, so this one actually works to promote both outlets simultaneously.

These are far from the only ways you can cross promote your social media channels, but hopefully they give you an idea of what’s possible with a little creativity.

Do you have any other suggestions or things you’ve found to be successful? Please share them in the comments below…

(By the way, if you want some help with your social media strategy, here’s how to hire a great social media consultant.)

Connected Comedy Podcast Episode 5: Don’t Be A Bitch

We’re now on iTunes! Please subscribe, rate or review this podcast there!

On the “eerily empty room” episode of the podcast, Jordan Cooper and Chelcie Rice make up for the vacation of their co-hosts by diving into comedians’ naturally inflated egos, how our need for validation can sidetrack actually making progress, and the importance of focusing on what you can control.

In addition, we do some follow up from last week by discussing the measuring of advertising by comedy clubs and the use of comment cards, ways comedians can convert audience members into fans after shows, and a scold (as usual) to all those who moan and complain when needing to invest financially into their comedy career.

[powerpress]

Links from this episode:
Vistaprint
Louis C.K. Releases Stand-Up Special Exclusively On His Website For $5 [Huffington Post]
Laugh Your Asheville Off
HostGator
MailChimp
Dropbox

Participate with the CC community in our Connected Comedy Facebook Group or post your questions, suggestions or topics to cover in the future on our Facebook Page.

We always welcome your comments!

20 Things Comedians Should See This Week

Here’s some highlights from recent issues of my Connected Comedy Daily Email:

This is what Louis CK and Marc Maron were up to many years ago.

If you want people to read your blog, this is the one thing you HAVE to understand.

10 Things You May Not Know About YouTube (But probably should)

Don’t treat pledges like donations (and other smart tips for successful Kickstarter campaigns)

Kelly Oxford explains how there’s a lot more behind her “sudden” Twitter success than people realize

“Futurama” Producers Explain How Technology Impacts Their Work

Comedy Central announces lineups for its new season of John Oliver’s New York Standup Show

“How can you succeed when the only certainty is change?” By reading this book.

IFC’s head of programming explains what she looks for in comedic talent

Watch this full documentary about the week Hannibal Buress spent preparing to tape his first Comedy Central special

Louis CK does it again – this time he’s selling all tickets to his upcoming tour only through his website.

11 Things You Need To Do If You Want To Make Money Off Your Passion Online

23 Creative Examples of Facebook Timeline Cover Images (and details about what you can control and what you can’t)

Steve Martin’s Personalized Letter To A Young Judd Apatow

A group of Vancouver comedians have teamed up to try to replicate Louis CK’s digital model (good idea)

10 Things Comedians Wish Somebody Told Them When They Started Comedy

How to reach 5 times as many people with the photos you post on Facebook

How (and why) you should use Tumblr

Want to make money from your comedy? Focus on creating experiences instead of products, and community instead of content

Time Out NY declares what three comics you should watch

10 Things Comedians Wish Somebody Told Them When They Started Comedy

Over on my Facebook page a few days ago I asked readers what one thing they wished somebody would have told them when they first started doing comedy. There were lots of great answers, but I thought I’d share some of the more interesting ones here in case you missed them.

“Be political in your interaction with other comics right from the start. Don’t wait until you are two years in to learn how.” – Drusso

“I wish someone would have told me that there’s a lot more to this than just being funny.” – Jose Lopez

“Bomb, learn, bomb, learn, bomb bomb bomb, killer joke, bomb, learn…” – Landon Charles Hughes

“That you can work paying gigs four nights a week and barely make enough to pay expenses and eat.” – Dave Stuck

“Always record yourself. Every performance is a lesson to do better.” – Mohammad Ali

“Someone else’s success does not mean your failure.” – Kelly Collette

“Keep going out and doing shows as much as possible. Even if it’s only for a few minutes, get that experience under your belt. Trust me, it adds up.” – Gabriel Diaz

“The comedy business is 80% business and 20% talent.” – Jay Washington

“Be friendly to everyone you meet – you never know who they are or who they know. And be friends with comics (even unfunny ones), you never know where a gig or a booker’s info will come from!” – Duncan Jay

“Recognition and minor success are the rewards for the truly exceptional. Fame for the truly lucky. Nothing for the average.” – Mason W. Foulks

What do you wish somebody would have told you? Let us know in the comments below.

PS: Want to be featured in a future article like this? Share what the single most successful thing you’ve ever done to promote yourself was here.

Connected Comedy Podcast Episode 4: A Perfect Storm Of Sh*t

We’re now on iTunes! Please subscribe, rate or review this podcast there!

On the “overbooked number of participants” episode of the podcast, Josh Spector, Jordan Cooper and Chelcie Rice welcome community member Tyler Meznarich onto the show as well as introduce Josh Homer as a regular co-host for our roundtable of comedy, marketing and business-related topics.

This week we completely rip apart stand-up comedy contests, what goals and expectations comedians should have participating in contests, and why contests may be a symptom of “lazy marketing” by both clubs and comics. Also, we ask whether or not getting on TV is overrated and how the path of success for comedians is getting hazier in this time of industry disruption.

[powerpress]

Links from this episode:

Off The Wall Comedy Contest
The World Series of Comedy
Laughing Skull Comedy Festival
Boston Comedy Festival
New York Underground Comedy Festival
What’s with all the competitions? [Shecky Magazine]
UCB Theatre
Cracked.com – Write For Us
10 Metrics Comedians Can Use To Judge The Progress Of Their Career [Connected Comedy]
Ward Anderson
How many followers do your TV comedians have in 2012? [The Comic’s Comic]
Jake and Amir
Rob Delaney
Shutterbugs w/ Aziz Ansari
Human Giant
19 Lessons From Peter Shankman [Right Mix Marketing]
How To Wash A Cat – Video [Dave Webster]
HARO – Help A Reporter Out

Participate with the CC community in our Connected Comedy Facebook Group or post your questions, suggestions or topics to cover in the future on our Facebook Page.

We always welcome your comments!

20 Things Comedians Should See This Week

Here’s a sample of what I shared this week through my Connected Comedy Daily Email. You can get a free subscription here to see what I share next week.

A conversation with some of TV’s most successful female comedy producers.

The story of a comedian (and Connected Comedy reader) who has become one of Cleveland’s best comedy promoters

How the Internet is impacting comedians’ material (according to the Chicago Tribune)

Marc Maron explains how talking to comedians saved his life.

Another pair of comedians get a TV deal thanks to their podcast

If Your Goal Is To Become A Better Comic, You Probably Never Will. (Good post from a Connected Comedy reader)

10 Ways To Get More People To Join Your Email List

If you’re doing anything that involves telling a story – you should read this: Pixar’s secrets to a good story.

New Connected Comedy Podcast Episode featuring former Jimmy Kimmel Live segment producer

And the nominees for the 2012 Canadian Comedy Awards are…

Is it worth using Facebook’s promoted posts feature? Depends on your goals.

Here’s an interesting look at how one person (@Garyvee) has built a strong Twitter presence

Reading this will likely forever change the way you write emails

8 Smart Ways To Interact With Your Fans On Facebook

3 Mistakes Most People Make When They Run Facebook Ads

Here’s a bunch of things you shouldn’t do to the people that “Like” you

10 Metrics Comedians Can Use To Judge The Progress Of Their Career

This should eliminate every excuse you have for not blogging.

Some of TV’s most successful comedy showrunners have a chat about how they do what they do

5 People Who Successfully Funded Projects On Kickstarter Share Their Secrets

Connected Comedy Podcast Episode 3: Stand Up Invades Podcasting

We’re now on iTunes! Please subscribe, rate or review this podcast there!

On the “newly enhanced audio quality” episode of the podcast, Jordan Cooper and Chelcie Rice welcome former segment producer for Jimmy Kimmel Live & Lopez Tonight, Adam Speigelman of the Proudly Resents podcast on the show.

We discuss the technical/talent divide in comedy podcasting, the pros & cons of the three primary formats of podcasts, using a podcast as a proof of concept for Hollywood development deals and the fallacy of searching for the magic bullet for success. Jordan also give an anecdotal recap of BlogWorld & New Media Expo, Adam discusses his session there with Rich Vos, Bonnie McFarlane & Nikki Glaser.

[powerpress]

Links from this episode:
Paul Goebel – The King of TV podcast
Blue Snowball microphone
BlogWorld & New Media Expo 2012
WTF w/ Marc Maron podcast
Podcast Answer Man – Cliff J. Ravenscraft
School of Podcasting
What Will Kill Podcasting [Tom Webster]
Overblog – Make the most of Social Media
YouSayToo – Community Driven Media
Independent Podcast Alliance – Facebook group
Comedian Jonathan Slocumb Featured in EBONY Magazine’s Comedy Issue
A Special Thing
Earwolf forums
Podcast Fandom – Facebook group
You Had To Be There w/ Nikki Glaser & Sara Schaefer

Participate with the CC community in our Connected Comedy Facebook Group or post your questions, suggestions or topics to cover in the future on our Facebook Page.

We always welcome your comments!

10 Metrics Comedians Can Use To Judge The Progress Of Their Career

“You can’t improve anything unless you can measure it.”

I’m not exactly sure who this quote should be attributed to, but I heard it recently and I absolutely love it. It’s a simple explanation for why it’s important to create metrics in order to be able to judge if you’re making any progress toward whatever goals you’re pursuing in work or life.

In thinking about this, I realized that most comedians really don’t have any metrics on which to judge the progress of their career. Too often, they just rely on a gut feeling to determine whether or not their career is advancing – and that’s likely one of the reasons comedians get so frustrated with the current state of their career.

Without a clear way to assess whether your efforts are getting you anywhere, it’s easy to feel stuck in a rut and not know what to do next to improve your situation.

But it doesn’t have to be that way.

Comedy certainly isn’t a science, but I believe there are some concrete metrics you can identify to judge how your career is progressing on a monthly basis if you want. And, I think these are just as valid no matter what form of comedy you practice – stand up, sketch, videos, writing, etc. – and no matter where you’re at in your career (from beginners to established artists).

Here’s the 10 questions I think you should ask yourself to figure out if it’s been a successful month – and ideally you’d like to see these numbers increase over time:

1. How many times did you perform?

Stage time is crucial for comedians and it’s extremely easy to keep track of as a metric. The more you perform, the better.

2. How many people saw you perform?

Not only should you strive to perform more often, but it’s also important to perform in front of more people because that translates into more opportunities to grow your fanbase.

3. Of the people who saw you perform, how many connected to you after the show by joining your email list (or connecting to you on social media)?

Doing a great show in front of a bunch of people that loved you is meaningless unless you have a connection to them for future shows and material. You should also judge this number as a percentage (Remember my 10% goal?), because it’s possible to perform for fewer people in a month but increase the percentage that connect to you.

4. How many interactions did you have with individual fans?

I don’t mean how many new Twitter or Facebook fans did you get, but rather how many did you have a one-on-one interaction with. These conversations (which can happen online or offline) are vital to building relationships with your “true fans,” the people who will feel like the know you and want to support and spread the word about you to others. They are your evangelists and they matter – a lot.

5. How many interactions did you have with members of the comedy industry?

It’s equally important to have individual interactions with people in the comedy business – agents, managers, bookers, club owners, etc. These interactions don’t have to be (and probably shouldn’t be) you begging for work, but rather genuine interactions where you get to know these people and (even better) provide value to them in some way.

6. How many interactions did you have with other comedians?

There’s lots of benefit to be had from networking with other comedians and that’s why this is an important metric. The more comedians you interact with (in a positive way), the more opportunities will come your way to cross-promote, work together, and learn.

7. How many things did you create?

This is a broad one and can include everything from new material, to videos, to blog posts, to individual tweets and more. Every single thing you create and share with the world has the potential to further your career – you’re in the business of creating and therefore the amount of stuff you create is worth measuring.

8. How many times were your creations shared?

If you’re posting content online, are people sharing it online? Are people spreading the word about your upcoming live shows? It’s one thing to please your existing fans, but it’s another to please them enough that they spread the word about you. That kind of fan response is worth measuring.

9. How many things did you try that you had never tried before?

Not only do you need to be creating, but you also need to be taking chances and pushing the envelope with your own work. Experimentation in all forms is important and you’ll likely be surprised at what comes of it. By using this as a metric, you’ll force yourself to continue exploring what’s possible in your career and will avoid getting stagnant.

10. How many times did you fail?

This may seem like a negative metric, but here’s the twist – I think the higher this number is, the better. Failure is important because it means you’re taking chances and you’re going after things – even if they may be temporarily out of your reach. Plus, you’ll learn important lessons from your failures, so embrace them.

Those are the 10 metrics I think you should track as a means of judging your career progress, but I’m sure you’ve got many of your own and I’d love to hear about them. Please share your thoughts in the comments below…

20 Things Comedians Should See This Week

Here’s a sample of what I shared this week through my Connected Comedy Daily Email. You can get a free subscription here to see what I share next week.

Here’s an interesting new way to make money with your comedy (If it works…)

The world’s simplest comedy career plan.

Owner of DC and Tempe Improv found dead

A comedy club employee’s snarky (and correct) advice for comedians writing bios

An Interview With The Late Night With Jimmy Fallon Online Content Team (There’s a comedy career you probably haven’t considered)

Houston Comedians Weigh In On Open Mic Etiquette

New Connected Comedy Podcast Episode! We talk about comedy merchandise, social networks, content creation, and more!

Fame is about a lot of people caring about you a little. This is about a few people caring about you a lot.

Are you willing to call every person that buys your album and thank them personally? This band is.

Lots of comedians use Evernote in lots of different ways. Here’s why and what it can do.

10 Reasons Your Blog Doesn’t Get As Much Traffic As You’d Like

How to make sure you see what you want to see in your Facebook news feed

20 Questions You Should Ask Yourself Before You Ask Your Fans To Fund Your Next Project

16 Tips To Get More People To See Your YouTube Videos

Scott Aukerman Reveals What He’s Learned From Comedy Death Ray And Comedy Bang! Bang!

16 Articles About Bill Murray From 1984-2012 (There have to be lessons you can learn here right?)

There’s a lot of reasons why buying followers is a terrible idea – here’s some of them.

Are you talking to strangers or friends? (More thought-provoking stuff from Seth Godin)

How Much Traffic Should A Comedian Get To Their Website? (new Connected Comedy article!)

Phyllis Diller’s talks about the difference between being a comedienne and a comic